19 नवंबर 1828 को लक्ष्मी बाई रानी झांसी का जन्म बनारस में हुआ था नाम था मणिकर्णिका. इसी नाम पर बनारस में एक घाट भी है. अंग्रेजो के समय after maratha’s defeat मराठो की हार के बाद पेशवा को निष्कासित कर के कानपुर के पास बिठूर में रहने को मिल| मणिकर्णिका के पिता का नाम मोरोपंत तांबे था और मराठा बाजीराव क सेवा में थे. बिठूर में पेशवा के साथ में कई मराठी परिवार भी थे.
In school days i got to read this Amar Chitra Katha on Rani Laxmibai of Jhansi.
मनु जोकि मन मणिकर्णिका का उपनाम था क लालन पालन बिठूर में होने लगा छोटी उम्र से ही मनु तेज तरार थी. 4or 5 साल की उंर में उनकी मां का देहांत हो चुका था. इसलिए भी वह थोड़ी चंचल प्रवृत्ति की हो गई थी और नाना साहब पेशवा तथा अन्य बालकों के साथ में कई स्पर्धा में हिस्सा लेती थी. उसी दौरान अंग्रेजो के जुल्म देखने के बाद उनके मन में अन्याय के प्रति बदला लेने की भावना उठी थी. कालांतर में उनका विवाह झांसी के गंगाधर राव से हो गया वहां पर रानी झांसी लक्ष्मी बाई के नाम से प्रसिद्धि पाई. कुछ वर्षों में उनक पुत्र हुआ उसकी बहुत जल्दी मृत्यु हो गयी. तदोपरांत जैसे कि सभी राज में प्रथा थी पुत्र गोद लिया, नाम रखा इस मौके पर अंग्रेजी शासकों ने पुत्र को उत्तराधिकार मानने से इनकार कर दिया. झांसी राज्य को अंग्रेजी शासन के अंतर्गत निहित करने का षड्यंत्र रचा
किला बंदी के दौरान रानी झांसी वहां से निकलकर सैनिकों को ले कर
और युद्ध कर ग्वालियर पर कब्जा स्थापित कर लिया था ग्वालियर में रानी झांसी ने नाना पेशवा घोषित कर दिया और आगे दूसरे जगह पर अंग्रेज से युद्ध के लिए आगे बढ़ चली.
अंग्रेजी सेना पीछे करते हुए पहुंच गई और घमासान युद्ध हुआ. अंग्रेज ने तलवार सें सर पर वार किया फिर भी रानी लक्ष्मीबाई ने निडरता पूर्वक उस अंग्रेज अफसर को मार दिया और अपनी सेवकों को बोला कि अंग्रेजों के हाथ मेरा मृत शरीर भी न लगने दिया जाए. सेवक ने पूरा किया इच्छा को
ब्रितानी जनरल ह्यूरोज़ ने टिप्पणी की कि रानी लक्ष्मीबाई अपनी सुन्दरता, चालाकी और दृढ़ता के लिये उल्लेखनीय तो थी ही, विद्रोही नेताओं में सबसे अधिक ख़तरनाक भी थी.
Very early I came to know about the name Manu, who later became was Rani Laxmibai of Jhansi. In Kanpur, as a child we used to go to Bithoor, specially at Maharaj Ghat, on the auspicious days such as Khichdi-MakarSankaranti and on Kartik Poornima to have bath in holy river Ganga. Bithoor has a prominent place among the pilgrimage stations. But for me it was a family connection. One of my ancestor(great grand father) who became a Sanyasi, used to live at the Ghat-Maharaj Ghat- said to be built by Peshwa, who was locally referred to as a maharaj? thus the name Maharaj Ghat was attached to this Ghat in Bithoor. earlier i had written blog on bithoor – splendour of bithoor and another blog on Baji Rao Mastani
Earlier a diesel loco or train chugged between Kanpur railway station and Bithoor. which was correctly called as Brahmavart (picture at left)
One the way is a station named as Mandhana(pic below) this was a junction. from here the rail track takes a turn towards right and goes upto bithoor. the other rail track leads to Kannauj or Mathura etc. But this rail track runs parallel to the GT Road- Grand Trunk Road. (Mandhana is my in law’s place)
Recently a memorial for Nana Saheb peshwa is built in Bithoor
Strange is this poster depicting the photo of actor who played role of Rani Laxmibai in the TV serial
Rani Jhansi in Kalighat Painting
1857 :: Flag of Rani Laxmi Bai of Jhansi During 1857 War Having Lord Hanuman Lifting Mountain
Why men/boys prefer to wear Shorts (pants)? Any reasons?
I was little bit taken aback when i saw most of the young newly married couples coming to the city for honeymoon and wear such cloths which they could never dare to wear back at their homes? Idea is solely to compare Indian Vs West?
He definitely looks like a casual tourist, wearing casuals as he would say? but then he is wearing this short pant just with a presumed perception of being upmarket? belonging to Nouveau riche group of middle upper class?
There is also a trend among the newly educated lot or high flying group that wearing this type of casual cloths is symbol of status?
I mean very idea of wearing such types of cloth i don’t like.
When i see women kept fully covered and men standing with them are in shorts? i thought why this discrimination? why these women are burdened to save the honour? of family? izzat? Men can wear any kind of cloths but women are supposed to wear traditional dress only?
I have seen men wearing Pant/jeans shirts (to me it looks as imitating the British Raj?) but women standing with them wear saree (sari)? that is a traditional wear of India?
Why women are not supposed to wear those frocks and gowns, as British ladies wore of that time? Men conveniently copied the shirt and pants? but ladies who are supposed to keep the family honour are never allowed to wear western outfits? This is evident in most of the Indian Marriages.
Indian wedding are famous for splendour of colors, lights, festivities. Clothing is the most important aspect. Everyone seems to be wearing best attire of their collection, (often just to show off, why not such occasions were meant for this purpose only)
while choosing dresses for grooms and brides, people tend to choose traditional dresses for brides, Sari, Lehnga etc. Whereas grooms choose most awkward dress such as coat, pants etc. It is also a form of gender discrimination.
Ideally both groom and bride must wear our traditional dresses. I liked this photograph(below)
When both man and woman wear that kind of cloths, then only it looks nice. Equal treatment should be given to both gender. Or
There should be an opportunity of right of choice. Girls are mentally / culturally pressurized to wear the outfits in garb of custom and culture? most of the time they succumb to that mental or emotional pressure.
As a child i might have seen this photograph(below) somewhere and few others, where a hero wearing a dhoti is hugging the heroine. There was one film produced in association of Russia. In that the actor hugged heroine while wearing Dhoti. That image lingered on me and still is in my mind.
More angry i got seeing few images where men wearing jeans/pants but ladies wore half leg dress? that is also not justifiable? But it is matter of choice they say.
As i said in most of weddings traditional dresses are given to women and brides. Why families or society has accepted this type of dressing code?
British left but likening or copying dress continues? (most people think English speaking is something to do with status?) even after independence we as a society never discarded British dress mentality.
Does this couple not look beautifull? given that we belong to India?
Keeping up with our traditions and family values they should adopt traditions followed in the family.
Otherwise what they will teach their wards (next generations) about their traditions?
Will they not be blamed for imposing their choices on their wards? some one asked?
Idea here is only to compare Western and Indian dress?
Why this garment is called Dhoti? wikipedia has something on this subject also. People always search wiki for everything. https://en.wikipedia.org/wiki/Dhoti Is there anything similar search engine in our India?
I was amazed to see that dhoti is linked to religion? on this link at oxford dictionary https://en.oxforddictionaries.com/definition/dhoti it is written as a garment worn by male Hindus ?? no one questioned. The mention of dhoti as a Hindu dress is totally wrong.
Similarly another link on Britanica https://www.britannica.com/topic/dhoti says similar thing.
I thought the word Loin Cloth is used for Langot? I didn’t know that Dhoti is a long loincloth? Then down on page it is written that it was called a Paridhana? To me Paridhan means cloths/dress we wear. So there are lots of confusing information for my ears and eyes on internet.
Mahatma Gandhi ji wore Dhoti (of course after his return from South Africa and when one of our great leader advised him to travel & see around our real India. He then took to travelling to different parts of India. In the film GANDHI by Richard Attenborough Gandhi ji on river of Ganga at Allahabad saw that girl who was struggling to cover her body and seeing that Gandhi ji left a piece of cloth in running water, it went down stream and that girl caught that cloth. Whole scene is an eye opener. poetically the situation was picturized to depict the pathetic condition and poverty. That lady emoted very well, if you see that scene then only you can understand.
He was of also of the view to discard foreign cloths. He encouraged self weaving with Charkha. Through that he meant our society should be self sufficient, Self supporting, Self dependent even in cloth making. We know it by name of Khadi. Khadi symbolizes Independence, Self Respect, Self dependence.
I like the idea where men and women have equal opportunity to choose their cloths?
Many years back(1989?) i tried to participate in a dress designing competition organised by YSL? I did try few designs for dhoti? in various ways? In 1983 NID the premier institute for Design in Ahmedabad advertised for admissions in design courses for +2 students. Back home i could not dare to apply for admission? thinking/presuming of family reaction? Back then in age of Black and white Doordarshan, we had TV only for any kind of visual entertainment. News print was main source of information, giving an idea of what is happening in world? so I knew Ritu Kumar, Rohit Bal, Rina Dhaka, there was another Rina i think? a duo designer singh? Later in time i came to know about one designer Rodriguez from Goa. In photo he looked dashing?
In between during 1985 or so i saw and read about Smt Sarbari Dutta? The good thing was that she was designing men’s wear. She had saree(sari) with Kantha also. I was ill-famous for wearing dhoti kurta among my peers. All my classmates and other imitated the western cloths- pant and shirt. I was ridiculed for wearing dhoti.
I felt sad to see some traces of Un-acceptableness in eyes of my Father? Because due to me he might have got feedback of different nature from his peer group? After many years, once on an occasion of a wedding of relative his anger came out? I had chosen to wear coat, long full shirt and Dhoti for that wedding. I was the only one in whole crowd wearing that kind of funky outfit??
My father had custom made most expensive triple suit for my wedding? Most expensive means it was beyond normal expenses our family could bear? But he made it clear I am going to wear that British dress, which I termed as “Gulam-dress” a symbol of slavery? my papa ji always got furious on hearing that. But I got chance to wear my choice of cloths at the time of reception at home. I had bought a Dhoti Kurta from Kolkatta, Of course not from Sarbari’s collection? But i did make attempts to see few showrooms in Kolkatta, Wedding dress on display in those showrooms were beyond my pocket.
Dhoti is a fantastic wear for men. The term Dhoti is common to both gender. Or a word is there that can be used : UNISEX !!. But the dhoti that men wear is called mardani dhoti. In some community a cloth men wear is called as Lungi, Tahmad. Below is a glimpse of few versions of Dhoti.
Model wearing creation of Sarbari Dutta
models wearing sarbari’s creations.
I don’t know why this image was created? instead of being creative, creator seemed to make joke? or fun. I doubt whether they were serious to bring forward our mens wear.
there are many versions to tie this cloth called Dhoti.
In Bollywood or any film attire is chosen as per the role or story requirement. not for promoting any dress. But yes many times style statements are made by the actors but those remain withing the boundaries of characters they played.
Dhoti is so easy to wear, Dhoti is a long unstiched piece of cloth.
People have to tie a knot around waist and drape it. few tricks are required to do the plaits and tuck it back.
Even wild version is there no requirement of a long cloth. few naughty people tie just a small cloth.
Lungi is not Dhoti
Our Leaders also had liking for dhoti, that was the Indian dress. No South North divide was there? can you figure out in this picture abe? any difference?
South Indian style
Mahatma Gandhi ji popularised this type of Dhoti.
One incident happened with me when i was entering the Red fort in Delhi. I was wearing dhoti kurta which i thought to be a normal dress. But at the entrance gate one guard stopped me and started inquiring. I said why u stopped me, as i felt bad being singled out in that crowd. I said you stopped me only thinking that i am a poor village person and cant give you reply. Call your officer. Few more guards came then i told them in English, that i am such and such person and i live inside RedFort. I am going home? Can i go? they started talking themselves. I said you should not think so low about dhoti kurta. People think so low about dhoti kurta. they have their own perception about this Indian dress. perceived notions.
But when i see people in shorts, or pants i think sad, as how our traditional life style had been taken over by the west. Traditions also had gone extinct.
People in general do not think wearing dhoti as good thing? i mean not many give a thought to wear dhoti? If they see some one wearing dhoti, immediately their thought process signals that dhoti wearing person is backward? That’s called Gulam Mansikta? Legacy of Raj? Thinking like a slave. We have lost respect for our own traditions.
Earlier on Black and white Doordarshan we used to get glimpses of few fashion icons. Now this internet has come up with vast opportunity to see the world at our own desktop? it is now called as Palm top or Palm held devices?
Dhoti is so versatile, as is the sari/saree. Indian traditional attire has vast scope. there are regional variations as well.
this is not exactly a dhoti but a small piece of dhoti? but picture is pleasant to look at.
He is UmaShankar in a TV serial(pic above). But he is wearing a ready made dhoti, stitched for ease. But the picture exudes warmth and sensuous appeal. so I included here. But it tells that nowdays people have forgotten how to wear the dhoti, and thus created this new instant dhoti, ready to wear. Just like fast food or instant noddles? how lifestyle has changed our ways.
This is a studio click i think. dhoti in this pic is for special occasions. But in ancient or recent past warriors used to wear such type of dhoti. Often on days when durbar or courts used to held.
Sangeet Samrat most respected doyen of Hindustani Music Alladiya Khan saheb ji in this pic is shown wearing the traditional dress of India. Dhoti and Turban are prominent here. Also on left is great Ustad Abdul Karim Khan saheb wearing a Safa, traditional Turban.
And many more stalwarts great artist of our India always wore Indian dress with much pride and felt Proud.
I don’t know when we will try to love our Indian dress. And stop imitating west?
There are few links available in YouTube on How to wear Dhoti?
I just think of some days when we will start respecting our own traditions.
Stand up, fight back was the topic of an article appeared in The Hindu of March 5, 2018 (EDGE page 3). Written by Ananthalakshmi Sekhar.
Bullies exist everywhere; nip their advances in the bud says the highlight of this article.
Bullying seems common, but what is it?
It is verbal or physical abuse with aliases being “intimidate”, harass. It is the sadistic feeling of joy one enjoys when victimizing the vulnerable target.
Who is bullied more- men or women? Bullying knows no gender; although women are easy targets, sometimes, men have no escape either.
It happens everywhere.
Reasons for bullying range from bigoted attitudes, poor upbringing, insecurity, aesthetic appeal, employment, earnings and more. Irrespective of the fitting reason behind this vilifying act, not all emerge stronger.
It is so strong that sometimes many have altered their circadian clock to end themselves. So how you handle bullying?
Say no to self-pity. Writer goes on to describe her own experiences and her attempts to overcome all that.
Those suffering bullying, remember, seeking assistance helps. Talk to your close friend or confidante, else to a professional. If bullied, speak out boldly to let your trauma known. Do not despair; with mental strength, you can fight back. Becoming vulnerable victims is not an effective solution.
Article ends there.
Since childhood I had been victim of bullying. Till recently, I did not know how to term that feeling now I know I was being bullied. Earlier in some writing that I have read that was equated as something due to peer pressure.
Since very beginning I started liking to dance. I don’t remember when for the first time I danced. But I do remember one incident when in Ganeshgunj, Lucknow we used to stay at ancestral home with a joint family. One song came on radio, Hawa me udta jai mera lal dupatta malmal ka. I still hear those voices in my ears. Few people started calling loudly dance kamles dance and started clapping. I remember I was dancing on this song. Whenever this song came on radio I was encouraged to dance. I don’t know if dancing (making movements with music) came to me naturally?
Later as I grew up and started attending school at IITKanpur campus, one sport teacher spotted my talent. He used to encourage me to dance. In physical education period that was known to us as PT period, he would ask me and few others to show their talents. I used to sing and dance. Many times my PT sir praised me and my talent. So I felt special within myself. But on the other side all the class mates, more so all boys started bullying me. They used to comment on me. Few equated me with dancing girls. I was called The nauch girl, randi, tawaif, nachnewali. Few were more kind they called me hizra(eunuch) . Few friends called me a “girl”. All this happened because I used to dance.
In school few songs of mine were very famous. Nazar Lagi raja tore bangle par, inhi logon ne le lina dupatta mora and thare rahiyo banke yaar re from film pakeezah. I started iconizing Meena Kumari ji. Thus boys used to say “Thare Rahio” or “nazar lagi raja”.
I was nick named as gaurayia. It is common name of sparrow.
Later when I reached class VII or so while playing kabaddi, the boys tried to gag me and few tried to see whether I have male sex organs or not? When I went to other side on my turn, few elder boys caught me and pushed me down on ground. I heard them telling to younger boys that I am holding his hands and legs you just see in his pants whether he has that organ etc.
Meanwhile as I was growing up such miss adventures also were growing around me. So much was apprehension inside me, that while going out to buy something from market, if I saw those boys in the street, I had to change my direction. Or I had to stay back and wait for some time till they go away. There was a house of Agn….ri .and Du…e. Most of terrorists used to live those houses. I mean we were so much terrorized due to boys of those house.
Later we shifted to type two and came into high school. Then my classmates grew more mischievous. Few called me Bulbul, “nach meri bulbul paisa milega”. One gang sang “tauba eh matwali chaal”.
I grew up amidst such group of boys. Few boys didn’t take me seriously at all. I mean I didn’t have any say in that group or gathering. But I didn’t left my passion for dance.
Being born in a family that lived within a society, I cannot imagine that my family could have broken norms of society. I still feel that my father was very brave. I can’t imagine how much pressure he would have gone through accepting me and my passion for dance. Many times he voiced his anger and concerns on my habit of dancing. I really feel how great he was. His peer group might have commented or laughed at him while targeting me. He is most courageous man. He never directly stopped me, but few times alerted me.
Had we got some kind of facility of learning dance or music nearby our house, we would have got enrolled and could have learnt many things. It was beyond imagination of our family that a boy travelling few kilometres away from home just to learn dance. Such things were not considered good even in 1970s.
But yes, our family never desist or restricted me or my sisters from taking part in co-curriculum activities in school.
One neighbour with whom we used to leave keys of our house also commented once. We had so much trust on him and his family, as I said we used to leave keys of our house with them. He said “your father will have difficulty in arranging your marriage”. He said this due to the fact that I used to dance and I was famous as “A boy who dance”? Whatever were his thoughts about me, it didn’t really matter to me back then nor today.
Most of my peer group might have had some perceived thoughts about me. One classmate used to take my notebooks to complete his works. Once I went to house to talk to him, as our exams were very near. As I crossed one window, I overheard something, His mother whom I addressed as Aunty (with respect, as we were always taught to address other elders respectfully) she said he is not home. That was the last day I talked to him. Now he lives in USA, his daughters are learning Bharatnatyam. He daily used to comment on me. I have not made him friend on Facebook.
Few others are also living in USA and their daughters are doing dance. But when those girls were in my class they laughed at me. Now they are proud mothers of girls who dance Bharatnatyam.
One Marathi professor was there. He seemed to be on forefront in all cultural activities in campus, mostly classical music. But once I saw he strictly stopped his daughter from taking part in one program on stage. He was class conscious.
When I had to attend Degree College in Kanpur, I had to take bus to go to city. Many boys together went to college. On the way they commented on me. I could do nothing as I was one and alone among all those boys.
When I was student of IIT then also on few occasions I felt such bullying. The only cause was that I used to dance. I loved to dance. There was a group of ladies, they organized cultural activities in campus. I remembered once there was a dance drama “Chitrangada” of RabindraNath Tagore. One day I was asked to take part in dance sequence, there were few more boys. But I was chosen to dance on “Mohini maya elo” and I was told to choreograph few movements for the group. After few rehearsals, suddenly one day i was told that dance sequence will not be staged (or that sequence will not be part of this ballet). I think they tried to rope in my sisters and as a lollipop they might have thought to play this dirty game with me. I am at liberty to apply my mind and my perception to things happened with me.
Thus I imagined, what might have been the cause behind this bullying?
As per census 2011
Percentage of Male cultivators to total workers is 24.9. [Rural- 35.2 & Urban-2.7]. Percentage of Female cultivators to total workers is 24 [Rural-28.8 & Urban-3.1].
other wise the work participation ratio of women remains lower than males. But above we find that female cultivators are just at equal percentage approx. but still in rural areas the cultivator percentage of women is recorded lower than males.
WPR female at all India level was 25.5% [rural – 30% and Urban-15.4%] work participation of Males in 53.3% [Rural- 53% and Urban – 53.8%]
so far is good. But any one from village areas can easily tell how much our women folk contribute in daily life in rural areas. From Dawn to Dusk all women in villages work tirelessly towards many activities. Earlier there was no electricity, water sources, roads etc. All works were done manually!! Women had worked shoulder to shoulder along-with men in Agriculture fields. Taboo is that few kinds of activities are considered (presumed) as activity to be done by Women ONLY. So much Gender discrimination was there. Now with advent of machines some kind of works are done easily.
below are few glimpses of our women, who contribute in daily life: See and comment?
i read article in The Hindu can came to know about her. She is truly a Tree mother. Since she was able to conceive, she and her husband adopted trees and planted saplings in their village. She groomed tree saplings as her adopted children that indicates her devotion. And i think whole village must be knowing that very well. She is sought for her blessings. As she is the mother of #Banyan Trees that indicates her immortalness. i had written about Burgad Banyan tree earlier click to read.
such people should be given highest civilian awards by nation/states. I dont know whether her old age pension or any other type of help is given to her by the state? Such kind of people who do the work without any prejudice must be supported by state or Government. Then to support such persons, eligibility criterion of Govt. schemes should not matter. then only we will think that we are a free independent nation.
Art has always fascinated me, particularly the dance. Now a day it is clubbed with performing arts. Do performing arts include dance, playing musical instruments, singing, plays-theatre etc? What about painting, writing, decorating home?
When I started appreciating arts at young age, I came to know few artists who were famous at national level; it was only due to the Doordarshan. That was the only channel and it was synonymous of TELEVISION. I saw Smt Swapna Sundari, Chitra Viswesaran, Alarmel valli, followed by Malvika Sarrukai, Prerna Shrimali, Veroniqa Azan, Shobha Naidu, Vanisri Rao, Charu Mathur, Malbika Sarkar etc they were called Young artist. Few were famous even more than few elder artists.
However young artists were always encouraged to show their talents at various stages, Yuva kalakar, Yuva Mahotsav, Sharadotsav etc.
Suddenly I saw a tweet of Ministry of art and culture stating that there will be a function at Port Blair named as NOVODIT. The department of Art and Culture Andaman Nicobar Administration is organizing in association with East Zone Cultural Centre on 25 November 2016.
Hon’ble Lt Governor A & N Islands inaugurating the function
I am a so called art enthusiast and I am very well known among few people and ill famous as a dancer.
Despite of well known in circle, I was not invited to the function. I mean I did not receive any invitation card. I don’t know whether there was any invitation card printed or not? But previous experience tells that I usually do not get invitation card. In some functions I had to plead with few officials shamelessly for an invitation card. Most of programs usually held free for public. But being in Government we often feel that if I get an official invitation then my social status seems to be enhanced.
But till 6 pm I could hold back myself, as the clock proceeded further I lost all resistance. After dropping my son for tuition class I just ran towards the venue, it was late though. As with thumping heart I entered the auditorium found that Hon’ble Lt Governor of A & N Islands was addressing the gathering. Thus I felt some relief, and thought I am not that much late.
I was waiting for magic to happen.
Dharmendra Kumar from Bihar
There was an announcement that program will start with a song of folk singer from Bihar. Mr Dharmendra Kumar came to stage. He is a young artist from Bihar. He started singing folk Songs of Bihar. Then he sang a Purvi, poorvi? accompanied by musicians. These musicians hailed from Port Blair itself.
Sound was good with broad spectrum of octave, but somewhere it sounded that he lacked, what we call as “Swar ki pakad” the mastery on swaras. But if he practices with a good guru, teacher then he can improve his art.
Another star of attraction was this girl named Miss Priyanka Talukdar. Her father Shri Talukdar has been teaching music in Port Blair for the last many years. I had met him back in 1998 when i was in Education Department. He worked as par time teacher then. But his efforts to teach students has bored fruits now after 20 years. The girl which we saw 18 years back is now performing on stage it was a good feeling.
She (Priyanka) sang a Tarana also. She rendered it in a simple way. But there is lot of scope for improvement. She has to get specialised training from some Guru at Mainland to hon her skills. her. Her स्वर swar rendering is good.
Next was an item as they called it, the folk song of Bengal, but it was a Baul geeti, Baul songs by Dhanonjay Dhibar. He had a good power voice. But somehow he has to get into the true feeling or character of a Baul while singing. He tried but as he himself said he was not able to dance as the space was not enough in front of the stage. As we know the Baul songs are soul touching experience. To feel to touch that feeling we can not resist dancing on those Baul musical beats coming out of the ektara- one string instrument.
But in present times singers use electronic guitars and other electrical instruments. Dhananjoy also used an electronic instrument.
Next was the Bharatnatyam item. As they announced the word “item” it sounded as a tailored item. It was Bharatnatyam by Sumita Roy. Many senior artists often complain that few modern parents come and ask to teach “items’ to their wards. That sounds awkward to senior gurus. Now a days it is fashion to present an item on stage, instead of Dance.
Coming to the present function this item was a “thillana’ as was announced. Thillana is same as Tarana in Hindustani. We perform Tarana in Kathak similarly thillana is performed in Bharatnatyam. But the present item was little bit confusing, as it was little slow in temper. Usually what I have seen in Thillana it happens to be most energetic item in whole dance program, or it should be portrayed such. But those crisp beats, gaps all were missing. I mean as far as the image which I had of thillana, this item was not upto mark to that image. But the “adavus” poses mudras were quite fine. Thus she seemed to be a serious student. Movements of eyes, head, hands were all quite good.
Next came a surprising dance program. I am sure not many in audiences must have heard the name of Gaudiya Nritya. Years back I saw the Satria dance, on Doordarshan, which took shape in Shatras or Chatras, the ashrams in rural Assam. But Gaudiya Nritya even i have not heard before, may be say 2000? But due to efforts of few dancers from Bengal Gaudiya is now developing into a full fledged dance. Often it so happens that we know or have many rituals and keep on doing since ages but do not know the significance of these rituals. I am connecting to the origination of such dances. So at various religious occasions in rural India people perform dance and sing songs, but keeping all this as just ritual things. And we know that in India many dances are associated with the Temple rituals. Even Kathak was performed by the Kathakars- loose meaning is story teller, temples. The subject of these stories were mythological aspects. As it is believed the dance as we know Kathak Kathakali Kuchipudi are all evolved from Temple dances. Thus very recently this dance the Gaudiya also have been researched and being presented as classical dance of Bengal. Present dance was performed by the Satabdee Banerjee.
At the end Director, East Zone Cultural Centre, Shir Om Prakash Bharati proposed vote of thanx and certificate as token of appreciation were presented to participants by Chief Secretary of Andaman Nicobar Administration Shri Anindo Majumdar ji