Few Doors are beyond worldly(also wordy) explanations. Such as this Hoyasala Dynasty (Karnatak) created beautifull gateway of temple-Abode of God. On both side Vijay? dwarpal keeps an eye? always they remain on Gaurd. But in this photo i wish to point out that even God-Lord lives here, his gate-Door of abode has no Life without these lovely colourfull followers-seekers. Thus we as seekers make this Door more beautifull- i will write in favour of women. Our Women folk, if they enter this Door, its importance is more, women of houses seldom get time to visit abode of Almighty, as they are constantly and continuously engaged in household chores. performing duty-catering needs of all family members-Husbands, relative, Children and keep their house neat and clean. Mother is first teacher-thus she has responsibility to groom her children into good citizens. Therefore, if any women-Mother enters abode of God -the temple through this Door, God feels extremely gratefull to mothers. It is He who welcomes such guest.
IS there any thing called Abstract Art? often we have heard of Abstract Mathematics? Abstraction? what is abstraction? In Art too i find there is lot of confusion.
When some one talks about Yantra or tantric paintings then they laugh and try to ridicule it saying all these are superstitious, blind faith, hindu paintings. following are few such images. However, these yantra images are based on centuries old science-Jyotish, or so to say Astrology.
Now see few of modern day paintings. Painters claim they are the most creative painters.
following two are inspired by Mural painting s of Kerala.
Each of above must have a story behind them, and only creator or painter can tell all those things whatever was in his mind at that time. I am also trying to interpret few of these in my words. on Twitter
now following is a Madhubani painting, this also has many symbols. but way of drawing is done by women, who have never attended any Art School. This Art as a tradition has passed down from one generation to another.
Often i have seen on many occasions, women of house draw or paint many such ritualistic paintings. I mean as a ritual they are painted and without these that pooja cannot be performed. On sevreal ocassions a story-legend is attached to such day of celebration. Karva Chauth, Har Chath and many more. It is sad that in India which has vast diversity of rituals traditions etc, we dont have a large database or documentation of folklores. ALongwith them all such rituals and paintings will also have to be documented. Few of our traditional arts have come to limelight, but many are vanishing. Those which have come to limelight got place in Dilli Haat, Surajkund mela, emporiums, and duplicate versions adorn large walls of either homes or galleries or govt buildings. Not much benefit to the original artists.
This is warli painting done in villages of Maharashtra, bordering Gujarat, Rajasthan? It is said to be tribal art. but i hate using this word. Villagers i use. they paint walls using natural materials, rice paste, mud or Goru(color). that we find in our villages and it is mixed with Mud or cow dung to paint the Mud walls.
there are many surrealistic painters, few say they paint realism. But I love the work of respected Smt Anjoli Ela Menon ji. She has been multi medium artist, in times when such word never existed. When i did an appreciation course at NGMA New Delhi, there were few of her work. Later i read and saw many of her work-in news! yes. She had painted suitcase, chairs Doors etc.
So it i snot good idea to praise painters of modern times. As you see there are many such things exists around us that we fail to appreciate. We need to be more observant.
Many times words fail to describe- in exact way what eyes see? i have named these photograph as SPLASH. that’s the common theme in these photographs. Tell me what you feel?
Helen ji happened to our Indian Cinema by destiny. Without her Indian Cinema would have been colour less, energy less. With Film Howrah Bridge she became a star!! in true sense.
i wrote about Helen ji earlier. Do read and comment on it.
Born on 21 November in Burma, her family moved to India during world war II. Along the route her family by luck met Cukoo, the famous dance star of films of her times. With her help Helen got few assignments in films but all were chorus. Later she worked hard, got training in Kathak, Bharatnatyam etc so as to meet the requirements of Film Dancing.
I remember how she beautifully matched the dance skills with Ragini ji in film Shikari.
Tumko dil diya itni shaan se
watching at this song i felt Helen ji did incredible dancing, in many frames she danced better than Ragini ji.
Our dance teacher used to tell us, as to how to perform on stage, In all those things Helen ji was exactly fit! most notable is the facial expression. Face is crucial part, bhaav comes our from smallest twitch of muscles of face. but a look at face should give impression that dancer is enjoying his or her act. Whenever you see Helen ji dancing, that moment we forget everything and transform in dance world, the emotions etc take over.
Helen ji danced in films of many languages. Even in Bhojpuri films. But looking at her face one cannot make it out that she did’nt understand nuances of folk language or folk dance.
Most amazing thing was that she designed her costumes herself, she did her own makeup. She used to purchase accessories from abroad, whenever she got chance she brought all that needed for her costumes, Feathers etc.
One thing as a dance student i noticed that in all her dance she never looked vulgar!! She started the Cabaret dancing on screen, if you don’t believe then watch any dance number earlier to Helen ji. Sensuous yes but not vulgar.
May god bless her a long healthy life
19 नवंबर 1828 को लक्ष्मी बाई रानी झांसी का जन्म बनारस में हुआ था नाम था मणिकर्णिका. इसी नाम पर बनारस में एक घाट भी है. अंग्रेजो के समय after maratha’s defeat मराठो की हार के बाद पेशवा को निष्कासित कर के कानपुर के पास बिठूर में रहने को मिल| मणिकर्णिका के पिता का नाम मोरोपंत तांबे था और मराठा बाजीराव क सेवा में थे. बिठूर में पेशवा के साथ में कई मराठी परिवार भी थे.
In school days i got to read this Amar Chitra Katha on Rani Laxmibai of Jhansi.
मनु जोकि मन मणिकर्णिका का उपनाम था क लालन पालन बिठूर में होने लगा छोटी उम्र से ही मनु तेज तरार थी. 4or 5 साल की उंर में उनकी मां का देहांत हो चुका था. इसलिए भी वह थोड़ी चंचल प्रवृत्ति की हो गई थी और नाना साहब पेशवा तथा अन्य बालकों के साथ में कई स्पर्धा में हिस्सा लेती थी. उसी दौरान अंग्रेजो के जुल्म देखने के बाद उनके मन में अन्याय के प्रति बदला लेने की भावना उठी थी. कालांतर में उनका विवाह झांसी के गंगाधर राव से हो गया वहां पर रानी झांसी लक्ष्मी बाई के नाम से प्रसिद्धि पाई. कुछ वर्षों में उनक पुत्र हुआ उसकी बहुत जल्दी मृत्यु हो गयी. तदोपरांत जैसे कि सभी राज में प्रथा थी पुत्र गोद लिया, नाम रखा इस मौके पर अंग्रेजी शासकों ने पुत्र को उत्तराधिकार मानने से इनकार कर दिया. झांसी राज्य को अंग्रेजी शासन के अंतर्गत निहित करने का षड्यंत्र रचा
किला बंदी के दौरान रानी झांसी वहां से निकलकर सैनिकों को ले कर
और युद्ध कर ग्वालियर पर कब्जा स्थापित कर लिया था ग्वालियर में रानी झांसी ने नाना पेशवा घोषित कर दिया और आगे दूसरे जगह पर अंग्रेज से युद्ध के लिए आगे बढ़ चली.
अंग्रेजी सेना पीछे करते हुए पहुंच गई और घमासान युद्ध हुआ. अंग्रेज ने तलवार सें सर पर वार किया फिर भी रानी लक्ष्मीबाई ने निडरता पूर्वक उस अंग्रेज अफसर को मार दिया और अपनी सेवकों को बोला कि अंग्रेजों के हाथ मेरा मृत शरीर भी न लगने दिया जाए. सेवक ने पूरा किया इच्छा को
ब्रितानी जनरल ह्यूरोज़ ने टिप्पणी की कि रानी लक्ष्मीबाई अपनी सुन्दरता, चालाकी और दृढ़ता के लिये उल्लेखनीय तो थी ही, विद्रोही नेताओं में सबसे अधिक ख़तरनाक भी थी.
Very early I came to know about the name Manu, who later became was Rani Laxmibai of Jhansi. In Kanpur, as a child we used to go to Bithoor, specially at Maharaj Ghat, on the auspicious days such as Khichdi-MakarSankaranti and on Kartik Poornima to have bath in holy river Ganga. Bithoor has a prominent place among the pilgrimage stations. But for me it was a family connection. One of my ancestor(great grand father) who became a Sanyasi, used to live at the Ghat-Maharaj Ghat- said to be built by Peshwa, who was locally referred to as a maharaj? thus the name Maharaj Ghat was attached to this Ghat in Bithoor. earlier i had written blog on bithoor – splendour of bithoor and another blog on Baji Rao Mastani
Earlier a diesel loco or train chugged between Kanpur railway station and Bithoor. which was correctly called as Brahmavart (picture at left)
One the way is a station named as Mandhana(pic below) this was a junction. from here the rail track takes a turn towards right and goes upto bithoor. the other rail track leads to Kannauj or Mathura etc. But this rail track runs parallel to the GT Road- Grand Trunk Road. (Mandhana is my in law’s place)
Recently a memorial for Nana Saheb peshwa is built in Bithoor
Strange is this poster depicting the photo of actor who played role of Rani Laxmibai in the TV serial
Rani Jhansi in Kalighat Painting
1857 :: Flag of Rani Laxmi Bai of Jhansi During 1857 War Having Lord Hanuman Lifting Mountain
( Photo – Government Museum , Jhansi ) pic.twitter.com/Wme2cZ8hsy
— indianhistorypics (@IndiaHistorypic) November 19, 2018
During Childhood i used to watch our elders performing Pooja. There were few dedicated places in homes. In some houses there used to be a room called as pooja room. In others only a section of room or almirah are designated as pooja corners. On the walls many beautifull calendars were hanging, depicting Lord Shiva, Parwati, Shri Ram and Sita. Other were of Ganga Avataran, Saraswati etc. Sache Darbar ki jai echoed few times. there was this calendar depicting Shri Ram Sita, Laxman, Hanuman etc full of many men in Ayodhya, Darbar of Raja Ram. That was in 1970s. But as i am living in 2018 with social media all around me, strangely i am turning my head all around to see if i can find any of those beautifull calenders? Sadly i have none of those pictures. Since almost all of those calendars were on paper, they degraded/ torn and later were immersed in flowing rivers. Now a days in age of science and social media we have lost such heritage of Art.
Usually, we had this pooja called Satyanarayan ki Katha. That time this picture(above) was placed on a small table decorated with plantain leaves, and table top is decorated with flowers, grains-Rice, a pot filled with water, and covered by Mango leaves. A purohit or pandit ji would come and start a never ending katha(story). that time it was never ending as felt by a child? But eventually it would end and we get to eat fruits, Panjeeri etc. But in between eyes would b full of tears from the smoke coming out from fire of Yajna (Yagya)
there was time when mythology inspired the Art of painting. Many miniature paintings were mostly inspired by Mythology. miniature paintings were not for common man during medieval times. It was an art for rich, kings and nobles or businessmen. In Bengal School of Arts few artists painted miniature inspired painting. They had local subjects and craft is from Folk traditions. NandLal Bose, Jamini Ray there were few from Tagore Family too. That famous BharatMata was also inspired from mythological depiction.
Paintings of Raja Ravi Verma were inspired from mythology too, but the Technic of Oil paintings was European.
This painting(above), I think is of Raja Ravi Verma style. Though Painting is beautifull but the subject is very saddening. The sage shown here is disowning the girl child born only due to him. As a rishi he was supposed to do Tapasya(learning with hardships) but he lost control and had an sexual alliance with this apsara Menaka. This unsafe sexual act bore a child. that might or must have been accepted by both parents. unfortunately she was orphaned. Later renamed as Shakuntala. That rishi(sage) was solely responsible for birth of that girl child. I dont know whether God punished him or not? Why the women (apsara here) is blamed for such acts? The Man-this rishi could have also controlled himself?
Two versions of Same theme-Shiv Parvati
This above is a beautifully framed picture of Shri Ram Durbar or panchayat as mentioned in that photo. Earlier such photo frames were common features in our homes, hanging in tilted form from a nail in walls.
Later when i saw a fat old magazine(Kalyan) kept in the almirah in the pooja room, i was surprised to see many such beautifull paintings on our Indian traditions.
This depicts the sthapna of Lord Shiva by Shri Ram when he reached the shore of Sea, and thus was named as Rameshwaram. Lord of Ram!!
Interestingly Both respected each other.
Varaha Avatar saved Veda from drowning and handed over to Rishi-Sages.
Kalyan was good magazine, anyone who comment or criticize it, must think as in absence of any form of mass media or social media-even Radio-TV such efforts were taken up by few enthusiastic people to create awareness and educate people on various issues. Not just religion. Religion is different from Dharma, It taught various things even on women hygiene, Morality in society, how to behave in a society and as per your dharma-often overlapping with the meaning of Kartavya-Duty?