I started collecting pictures of Umrao Jaan. But then I don’t know which photo is to be deleted from this collection.
Each and every frame speaks something or the other, Emoting various kinds of emotions. I don’t have caliber to select or delete any of these photos. Rekha ji did a memorable role in this movie and her name and her acting in this role will be etched in golden words in history of Indian cinema along with two other names one is most respected MeenaKumari ji and Shri Muzaffar Ali, who is a Raja in true sense and sensibility…from Kotawara and Luknow…which is often pronounced as Nakhlou
just see this image. Is it really from Kashmir?
its not just beautifull sculpture but it is proof of hard work, high standards of Art, metal art? prevalent in our India centuries ago. During the time of invaders lots of arts, knowledge have been lost. Many arts have become extinct.
On the eve of New year I saw on the Star Plus Channel that Rekha ji was honoured with LifeTime Achievement award at StarScreenAward Function held some time back.
Amazingly She danced at her old song with full vigour. (at this age) She was full of grace.
Just saw a tweet about Rekha ji honoured with lifetime achievement award at a function named #SansuiColorsStardustAwards. it was presented by the Javed Akhtar ji and Shabana Azmi ji. How one can describe Rekha ji and her journey in films. She started as a novice and at very young age. Given the circumstances of family she had to act in films. it is heartening and sad that young teen was not given any option, she had to sacrifice all her freedom for employment.
deep espressive eyes
As we know through media She had a troubled childhood. Now days media and internet has given opportunity to a seeker of information. But her immediate family must have struggled to survive in this harsh world. She groomed herself and became a star on her own, she created a style. If i can say so she is evergreen glittering star.
She blossomed into a matured artists as evident from few of her films. Khoobsoorat, Umrao Jaan, Utsav to name few.
She created magic on screen. The other star which i liked before Umrao Jaan was Meena Kumari ji. I am a confirmed fan of Smt Meena Kumari ji. In childhood i epitomized her.
Her portrayal of emotions was superb on screen. Whenever she cried on screen i felt same and whenever she felt angry anguish or she felt pain, i also felt the same pain, such was the connection with her onscreen persona. She was a star bigger than the screen. She immortalized the roles she played/acted in films.
But when i saw Umrao Jaan i was totally mesmerized by the sheer color, dazzling costumes, immortal music and more over the seriousness by which Rekha ji enacted the role on screen. Many times she herself had confirmed that it was UmraoJaan that discovered Rekha. Rekha and UmraoJaan became synonymous to each other. It was brilliance of Shri Muzafar Ali, the Raja of Kotwara that brilliance of Rekha ji came out so well on screen as Umrao Jaan. The film story, editing, music played the key role. And story itself was from my city Lucknow thus i became fan of the film as well.
It is really a mystery that how she has groomed herself from her first film to the present day.
in these years many opportunities came to her.
She carried her charm despite of UPs and Downs in life.
Each of these frames speak in volume about her skills of emoting. For that she got the award for UMRAO JAAN.
then this film Utsav happened and for me no other star could have been more suited for this role other than Rekha ji.
in spite of good music well researched this film’s music could not spell magic as Umrao Jaan did. Though the songs bela mahka ri mahka dil kyo bahka and others were superb songs. But still i feel more music with dhrupad elements for dance could have been shown in this film as somehow this film centered around a courtesan. a dancer.
Art has always fascinated me, particularly the dance. Now a days it is clubbed with performing arts. Do performing arts include dance, playing musical instruments, singing, plays-theatre etc? What about painting, writing, decorating home?
When I started appreciating arts at young age, I came to know few artists who were famous at national level; it was only due to the Doordarshan. That was the only channel and it was synonymous of TELEVISION. I saw Smt Swapna Sundari, Chitra Viswesaran, Alarmel valli, followed by Malvika Sarrukai, Prerna Shrimali, Veroniqa Azan, Shobha Naidu, Vanisri Rao, Charu Mathur, Malbika Sarkar etc they were called Young artist back then. Few were famous even more than few elder artists.
However young artists were always encouraged to show their talents at various stages, Yuva kalakar, Yuva Mahotsav, Sharadotsav etc.
Suddenly I saw a tweet of Ministry of art and culture stating that there will be a function at Port Blair named as NOVODIT. The department of Art and Culture Andaman Nicobar Administration is organizing in association with East Zone Cultural Centre on 25 November 2016.
I am a so called “art enthusiast” and I am very well known among few people and ill famous as a dancer.
Despite of well known in circle, I was not invited to the function. I mean I did not receive any invitation card. I don’t know whether there was any invitation card printed or not? But previous experience tells that I usually do not get invitation card. In some functions I had to plead with few officials shamelessly for an invitation card. Most of programs usually held free for public. But being in Government we often feel that if I get an official invitation then my social status seems to be enhanced.
But till 6 pm I could hold back myself, as the clock proceeded further I lost all resistance. After dropping my son for tuition class I just ran towards the venue, it was late though.
As I entered the auditorium with thumping heart I found Hon’ble Lt Governor of A & N Islands was addressing the gathering. Thus I felt some relief, and thought I am not that much late.
I was waiting for magic to happen. There was an announcement that program will start with a song of folk singer from Bihar. Mr Dharmendra Kumar came to stage
He is a young artist from Bihar. He started singing folk Songs of Bihar. Then he sang a Purvi, poorvi? accompanied by musicians. These musicians hailed from Port Blair itself.
Sound was good with broad spectrum of octave, but somewhere it sounded that he lacked, what we call as “Swar ki pakad” the mastery on swaras. But if he practices with a good guru, teacher then he can improve his art.
Another star of attraction was this girl named Miss Priyanka Talukdar. Her father Shri Talukdar has been teaching music in Port Blair for the last many years. I had met him back in 1998 when i was in Education Department. He worked as part time teacher then. But his efforts to teach students has bored fruits now after 20 years. The girl which we saw 18 years back is now performing on stage it was a good feeling.
She (Priyanka) sang a Tarana also. She rendered it in a simple way. But there is lot of scope for improvement. She has to get specialised training from some Guru at Mainland to hon her skills. her. Her स्वर swar rendering is good.
Next was an item as they called it, the folk song of Bengal, but it was a Baul geeti, Baul songs by Dhanonjay Dhibar. He had a good powerful voice. But somehow he has to get into the true feeling of character of a Baul while singing.
He tried but as he himself said he was not able to dance as space was not enough in front of the stage.
As we know Baul songs are soul touching experience. To feel, to touch that feeling we can not resist dancing on those Baul musical beats coming out of the ektara- one string instrument. I loved the songs of Partha Das. I had a HMV cassette of his Baul Singing.
But in present times singers use electronic guitars and other electrical instruments. Dhananjoy also used an electronic instrument
Next was the Bharatnatyam item. As they announced the word “item” it sounded as a tailored item. It was Bharatnatyam by Sumita Roy.
Many senior artists often complain that few modern parents come and ask to teach “items’ to their wards. That sounds awkward to senior gurus. Now a days it is fashion to present an item on stage, instead of Dance.
Coming to the present function this item was a “thillana’ as was announced. Thillana is same as Tarana in Hindustani. We perform Tarana in Kathak similarly thillana is performed in Bharatnatyam. But the present item was little bit confusing, as it was little slow in temper. Usually what I have seen in Thillana it happens to be most energetic item in whole dance program, or it should be portrayed such. But those crisp beats, gaps all were missing. I mean as far as the image which I had of thillana, this item was not upto mark to that image. But the “adavus” poses mudras were quite fine. Thus she seemed to be a serious student. Movements of eyes, head, hands were all quite good.
Next came a surprising dance program. I am sure not many in audiences must have heard the name of Gaudiya Nritya. Years back I saw the Satria dance, on Doordarshan, which took shape in Shatras or Chatras, the ashrams in rural Assam.
But Gaudiya Nritya even i have not heard before, may be say 2000? But due to efforts of few dancers from Bengal Gaudiya is now developing into a full fledged dance.
Often it so happens that we have many rituals and keep on doing since ages but do not know the significance of these rituals. I am connecting to the origination of such dances. So at various religious occasions in rural India people perform dance and sing songs, but keeping all this as just ritual things. And we know in India many dances are associated with the Temple rituals. Even #Kathak was performed by the Kathakars- loose meaning is story teller, in temples. The subject of these stories were mythological. As it is believed the dance as we know Kathak Kathakali Kuchipudi are all evolved from Temple dances. Thus very recently this dance the Gaudiya also have been researched and being presented as classical dance of Bengal. Present dance was performed by the Satabdee Banerjee.
Next was the Kathak dance performance by Debjaya Sarkar. I had been s student of Kathak since 1975 in class IV, when one teacher came to teach dance at our school in Kanpur. Debjaya shown her caliber in the tatkar and layakari ang as we say in Kathak. She has got training and taken it seriously that reflected in her dance. but still as we all know that abhinaya aspect takes lots of time to be perfected. And experience also teach lots of things as we grow up performing programs. I felt she must have learnt someone who is from Delhi or from Kathak Kendra, as she perfrmed some tukras which belonged to the school of Lucknow gharana and more particularly of Pt Birju Maharaj ji. But now days students learn many things from many teachers thus we cant claim that student belongs to a particular style of dance? whatever they perform is what they are taught?
Next came a very nice and serious performance by Sayani Chakraborty. She perfromed lots of adavus and javalis with abhinaya. I dont know but the music was little bit seriuos type for the audience. Those who know something about Bharatnatyam could have appreciated her performance better. I feel in such type of programms, dance with energetic music could have done justification.
Next was a nice performance of Kuchipudi by the Students of Gauri Shankara classical dance academy, Port Blair. The dance performed by the artists was very good being very young still they shown good potential.
there was very much appreciation for these young budding artists from Port Blair.
There was this camera from Doordarshan. I tried to peep in to see how they are recording? and captured this screen.
this frame came while adjusting my camera and in between clicking the button.
The director, Shri OM Prakash Bharati, of EZCC East Zone Cultural Centre prposed the vote of thanks.
In end, the Chief Secretary, A & N Administration presented the certificates to all the participants
Programme ended with hope to see such events in future also at Port Blair. As such programs are rarely seen in this remote part of India. Due to its remoteness from Mainland this part remains untouched from the experiences, experiments, innovations etc going on in the filed of Performing arts in Mainland India. Thus such programs with more frequency are needed at such remote place like Andaman Nicobar Islands.
बरगद बरगदाही वटपूजा Every year my mother used to keep fast on this day that falls in JUNE? this day is dedicated to Burgad which is called as vat in Sanskrit. in some parts of India it is called Vat Savitri Vrat वट् सवित्रि व्रत all married women keep fast and do not take even water till they perform the pooja of Banyan Tree. savitri This date or तिथि tithi falls in JUNE every years or few days earlier but one thing i found amazing is that, it is always near to the #World Environment Day. When whole world celebrates the world environment day and on the other hand we don’t remember the Vat Savitri pooja day with same fervor as i found people mentioning world environment day on social media with a # hashtag? WHY?
I know this pooja has been there in our society since ages. I mean this is performed in India since many centuries. But how come it falls near the day on world environment day? I really don’t know? Why they have kept this day in June as World Environment Day?
बरगद (Bargad) the Banyan tree as world knows, is a symbol of longevity. It never dies. This tree stands forever, often it lasts more than many generations of human. That’s why it is revered as the someone who Divine and lives forever. Thus all women seek blessings from banyan tree for longevity of their husbands and then sons. And only Banyan tree is competent to give such a boon? since itself lives many hundreds of year!!
Here comes the gender discrimination? Mothers seek for others and even for yet to come generation? Yes. Women swallow the bud of shoot or branches. it symbolises as the boon for a better healthy SON? I mean the next generation also is being protected by Mothers(to be). Then another symbol is that mothers or women (married) seek blessings for their life and seek that they live as a “suhagan” सुहागन- a married woman all her life. Silently they seek blessings to die being a married woman. That has connotation of the social stigma attached to the Widow women in the society?
they should remain married till their death? this is the extreme sacrifice of women and mothers.
Mothers wake up early before anyone in family wakes up. Specially Husbands and Sons. Daughters usually help their mothers and follow her.
Mothers prepare themselves so that they take up this ritual being or remaining as “PIOUS”. it is like penance more than anything else for our mothers. They have to fulfill the duties of households also. Mother & Father in-laws, Husband, Brother & sister in-laws, Sons & daughters in that order of priority in any usual family. Mothers prepare food, clean houses, etc. Lucky are those mothers who get help from others and those who leave aside these for time being and perform pooja.
Poori पूरी , 12 balls of wheat flour are cooked and few other sweets. Specially the Gram or some call it as black gram (chick pea) soaked in water or boiled are used. They go to any Banyan tree nearby in their locality . There they perform pooja. Seek blessings from the presiding deity of that day the Banyan Tree, who is evergreen tree that means she lives for infinity? They swallow the tender shoot apex of the tree.
Actually these are not edible as listed in the link (Banyan Tree click and read) see that shoot apex is not edible even then women swallow it? without complaining. that is the height of sacrifice of mothers, who do it for blessings of a good SON? who will support his mother in her old age?
Savitri is known all over India as a Goddess like figure.
It has continued for centuries from generations to generations. Whether anyone is educated or uneducated, but they must be knowing about Savitri. She has brought back her dead husband from the clutches of Yamraj the God of Death. Not many got this chance. She was a brave lady. with her determination, courage, wit, wisdom, persistence debated with the God of Death and then with her wisdom made god of death to return her Husband. It is a very famous story commonly known to all the households, who celebrate this day.
Banyan Tree has been an important part of our village life since centuries. It is needless to emphasise it. But in context of the present times when young generation is forgetting everything which is Indian then it is very important to repeat whatever we know? In age of #social media and when the #hashtag has become a method of making any statement, reading writing our old traditional stories is becoming meaningless? is it? I had written earlier that we have been totally cut off from our roots, as we do not know our own language Sanskrit? Sanskrit a language, Sanskritee, sanskritaah and also History untold, re-told, historians revisiting their works All or most of our treasure was written in Sanskrit. For the past 500 years or so we have been detached from our language Sanskrit. Do you know how many children feel happy while reading Sanskrit in their school. They think it as a burden? But Why? Why this perception has crept up in their mind? I largely put ourselves (Parents) at fault? but then they are also not to be blamed. In schools also the apathy is noticed towards learning of Sanskrit?
The villages used to have a small hermit of trees nearby. What I am saying is that Earlier there was large green cover around villages and all other places. When population started increasing, that resulted in need of land. Most natural and easy way was to cut forest cover? Still there was small patch of forest left untouched in most of the villages. By tradition and belief they were considered Sacred. These small hermit of trees housed many varieties of trees and in return it housed flora and fauna.
Banyan tree like that of Peepal, Neem were always considered as sacred. Now scientifically we know that Peepal tree exhale Oxygen 24 hours? Thus if there are Peepal Trees that means more oxygen around us. Most of the village weekly markets were held in some kind of hermit of trees. Most often big Banyan trees and encircling trees/shrubs offered best place to assemble. I have seen many temples who have these sacred trees in their vicinity.
I have always liked the Banyan Tree which was there in the central place in our IIT Kanpur campus. Every one in IIT knew about that grand Banyan Tree. It was a big tree spread over a large area. Earlier two or three school buses used to stand under it. Students from Armapur and other parts of Kanpur city came by these buses to attend KV IITK. In free period we sometimes used to go to this tree. It housed many ant holes. I have almost learnt many biology lessons under it? strange? But true. It provided shelter to Squirrels, many types of birds, small insects. Few bird Nests were there. worms larvae etc all we could see there. As time changed this big tree together with its encircling patch of ground was enclosed by wire fence.
In many villages still there are few Banyan trees left. I have heard that people out of superstition do not keep Banyan, Peepal trees near to their residences? Why? But it was true that earlier people thought these trees as sacred.
I have not read this book by R K Narayan yet? this picture below right indicates that it is nice place to hold gurukul classes or Dance class or performance? as I dream it must have been there in Kalashetra, as dreamed by Smt Rukmini Devi Arundale in Adyar, Chennai?
There in Adyar also a big Banyan Tree was there, it was of several years old?
Did you know that Bankim Chandra Chaterji wrote “Rajmohan’s wife” in English published in 1864?
With advent of English and English writers on the scene of Indian literary world with the awards such as Booker’s, there has been considerable increase in the number of Best Sellers, that too in English and in India and by Indian Writers. That is the point where trigger of Indian Literature scene has been catapulted. Today there was one hastag #1yearofSOI on twitter trailing or trending. I thought what has happened to our own Indian rich heritage of Sahitya?
Many years back I was waiting with lot of enthusiasm for a telecast on Doordarshan of award ceremony of Smt Mahadevi Verma ji. Iron Lady Mrs Margret Thatcher and Smt Indira Gandhi were there to give away the award. It was most contrasting and most amazing moment in my life. An English PM was there to felicitate a Hindi Writer and that too an Indian. It was in 1982? After that I have searched the photograph of that event I was not able to see it on internet? There were MoortiDevi, Jnanpith awards in all Indian languages, I think English was also included in it. Since that’s why Nayantara Sahgel and Anita Desai got awards for their works in English in India?
With the wining of awards by Arundhati Roy scene changed. Salman Rushdie, Vikram Seth, Jhumpa Lahiri, Kiran Desai also made news. Even as English writers I knew Nayantara Sahgel, Smt Anita Desai. But before that RK Narayan and MulkRaj Anand (purple or untouchable??) and also Ruskin Bond I knew.
Later Chetan Bhagat, Amish Tripathhi, Patnaik, Ira, few other are now Best Sellers?
But I was amazed that the works on SHIVA (and trilogy ?), RAM, Mahabharata, SATI, etc are the topics of best sellers, that too written in English.
Has our rich heritage of literature SAHITYA got set back? Kalidas, Jaidev, PremChand, Dwedi ji, Dinkar, Nirala, Mallikarjun, Renu, Nagar. I admired Krishna Sobti, Shivani ji, qurtulin Hyder, Ismat chugtai (though I read les of her works) Many more… do they have to be written in English to be known? Something has happened to our own languages and Sahitya?
It has to be thought while preparing the EDUCATION POLICY?
AdiBimb- this was a new name for me. I had never heard it. An ad in the Daily Telegram the daily news paper of Andaman Nicobar Islands told me that a program by this name is organised by National School of Drama, New Delhi. I would not have taken note of it, But the the name Ratan Thiyam caught my eye. I started reading the Ad from top to bottom. I read Each and every line, word by word. Such is the importance Shri Ratan Thiyam ji has in my mental space.
Years back when i heard about National School of Drama, few names used to come in front of eye. Nagpal, Tendulkar, Bavkar, Joshi, Kulkarni, Sunila Pradhan, Mohan Agase, L etc they were the actors usually i saw on TV. Then there were Habib Tanvir, Girish Karnad, Leela Naidu, Arundhati Nag, Ranjit kapoor, when Sangeet Natak Akademi gave award to Ratan Thiyam ji i saw it on Black &white doordarshan.
He was Director of National School of drama also. then almost he went to Manipur. Just like a rishi goes to Himayala for tapsaya. he went to Manipur. There he established an academy i think. Later when this Jawaharlal Nehru Academy of Manipur dance was established and i saw a dance ballet based on the story of Manipur deer- loktak ?on doordarshan. Later i came to know that Ratan Thiyam ji has revolutionized the Theatre as such and not only the Manipuri theatre. He has utilized all the Manipuri arts in theatre. I also feel all these arts have deep relations within. Be it a performing arts, visual arts, etc names can be many. But at core all are depending on each other. Thus when a production or a project is presented then all the arts, Visual- light, sound, background, set designing props that comes under stage crafts, Music, Dance and drama, Traditional martial arts which Ratan Thiyam ji has used, Weaving-Textile-Fabric arts while preparing for costumes, make up, then comes the language-it is also very important in portraying the characters, if the language and dialogues are not chosen for a character then the identity, power-potential of certain characters dilutes. In all these aspects Ratan JI have mastery. He has vision of his own.