Apsara, Indian Sculpture 12th Century

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Dancing Celestial India (Uttar Pradesh). Early 12th century. Sandstone. H. 331/2 in. (85.1 cm) Promised Gift of Florence and Herbert Irving (L 1993.88.2) Metropolitan Museum of Art, NYC. The contours and richly ornamented surfaces of this celestial attendant to the gods exemplify a stylistic shift away from earlier Gupta-influenced forms. Here the linear play of surface decoration and dramatic contours replace the earlier emphasis on seamless volume and subtle balance. The sculptor has twisted the figure into an extraordinary pose that captures the essence of her dance and seems absolutely believable until one imagines actually trying to turn this way. The jewelry sways and emphasizes her movements, both in the way the necklaces and sashes follow the curves of her body and in the upward thrust of the spiked tips of her crown. The crisp carving of her adornments makes a pleasing contrast with the smooth and rounded surfaces of her flesh. Images of dancing semidivine attendants often appear on the outer walls of Hindu temples. They are placed near the figures of gods to honor the deity, just as actual female dancers honored the gods’ images within the temple.

this is what wiki listed?

But on the Met Museum one line is written?

“Imagine posing as a model for this dancing female figure. You’ll soon realize that this striking pose is anatomically impossible. Yet the sculptor has captured the essence of continuous, whirling motion.”  https://www.metmuseum.org/art/collection/search/38153

But in our Indian classical Dance or so to say in other Indian dances there are various pose, Mudras those may seem impossible for west minds? But In many pose/Mudras certain amount of training goes into, before perfecting it. Specially in BharatNatyam, Oddissi dances?

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Such are few common pose in or dance and Indian milieu? putting the red crimson red called Sindoor on forehead, that is symbol of Married women? But the way it is executed in dancing movement is something is captured the imagination of many artists. Even dancers also execute this movement with grace. Thus sculptors also put their expertise. Somtimes it is putting eye liner, or putting flower in hair plaits? or decorating head forehead etc. all such movements take shapes in various forms of arts.588c25ae9ce74cd0bc515f921e0d121a7ec453af8b975a1c12f355e1d7b9b0d67c2ca0db002594e468555a5735772632sit69.1_copy (1)C5T4l8mWEAA_aU8Cy5-AkGXcAAew5bCXiWoqgUQAALF8a

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Film Pakeezah, MeenaKumari ji
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Sunaina Hazari Lala, Kathak

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Gaurang Katyayan misra

I am nobody on this vast globe. trying to search for my relevance for existence. Trying to read boundaries.. how to demolish them? want to walk on path of wisdom.. such as vivekananda, Ram, Krishna, Meera, kabir, Sankaracharya, rani chennama, ahilyabai holkar, Laxmi bai, umrao jaan, Rai praveen, Chanakya, SitaRam Raju, Shiva ji, lachit burfukan, Sankar Dev, list is endless

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